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Certain to become the definitive book on Noguchi's multidisciplinary career, this publication accompanies the first major touring European exhibition on the Japanese-American artist in twenty years, which will travel from London's Barbican Art Gallery to Cologne's Museum Ludwig and the Zentrum Paul Klee in Bern. It encompasses the entirety of the artist's work in sculpture, ceramics, photography, architecture, design, as well as his playscapes, gardens and stage sets for modern dance and theatre performance. This survey explores his creative process and lesser-known aspects of his practice, his engagement with a wide range of mediums and cultures, and his innovative achievements over six decades. Brimming with stunning imagery and contributions from an international range of authors, this book helps readers grasp the diversity and patterns of Noguchi's work both in situ and in galleries. Archival photographs of the artist's studios offer glimpses into his experimental attitude towards sculpture. Themes of harmony and dissonance, which were central to Noguchi's practice, are explored in a series of essays that consider the artist's dual heritage, the Japanese American experience, his worldwide travel and his many influences. The book examines the cultural diversity of Noguchi's practice as he addresses themes such as identity, history, and politics. It also pays tribute to Noguchi's fruitful collaborations with creatives from a range of industries, such as R. Buckminster Fuller, Martha Graham and Louis Kahn. Throughout the monograph Noguchi's own words provide a critical backdrop towards understanding an artist who embraced many schools of thought, and whose entire life and career set an example for partnership and cooperation across artistic, political and cultural boundaries.
Art --- photographs --- sculpture [visual works] --- earthworks [sculpture] --- politics --- harmony [artistic concept] --- public art --- flats [theater elements] --- studio ceramics --- gardens [open spaces] --- identity --- interactive art --- monumental sculpture --- Noguchi, Isamu --- Beeldhouwkunst ; meubelbeeldhouwkunst ; pseudo-meubelen --- Beelden buiten ; beeldhouwkunst in de publieke ruimte --- Architectuur ; scenografie ; design --- Speeltuigen ; Meubels voor kinderen --- Buckminster Fuller, Richard 1895-1983 (°Milton, Massachusetts, Verenigde Staten) --- Beeldhouwkunst ; 20ste eeuw ; Isamu Noguchi en tijdgenoten --- Isamu Noguchi 1904-1988 (° Los Angeles, Cal., VS) --- 73.07 --- Beeldhouwkunst ; beeldhouwers A - Z --- Noguchi, Isamu 1904-1988 (°Los Angeles, Verenigde Staten)
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Architecture --- architecture [discipline] --- Williams, Tod --- Tsien, Billie --- anno 1900-1999 --- United States --- Noguchi, Isamu --- Tuinarchitecten --- Beeldenparken --- Tod Williams (° 1943, Detroit, VS) Billie Tsien (° 1949, Ithaca, New York, VS) --- Architectuur ; vnl. New York ; 1979-2000 ; Williams & Tsien --- Architectuur ; Verenigde Staten ; 20ste eeuw --- Het Muziektheater ; Amsterdam ; enscenering --- Architecturale omkledingen van installaties ; reizende tentoonstellingen --- Lampen ; Akari ; I. Noguchi --- Architectuur ; universiteiten ; hogescholen --- Architectuur ; wetenschappelijke instellingen --- 72.07 --- 72.038 --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 1950 - 2000 --- Architectuur --- architectuur [vakgebied] --- Verenigde Staten van Amerika --- Noguchi, Isamu, --- ノグチイサム, --- 野口イサム, --- Criticism and interpretation. --- 野口勇, --- Noguchi, Isamu 1904-1988 (°Los Angeles, Verenigde Staten) --- 73.07 --- Beelden buiten ; beeldhouwkunst in de publieke ruimte --- Williams, Tod + Billie Tsien --- Beeldhouwkunst ; beeldhouwers A - Z --- United States of America
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This book brings together a group of essays, a photo series, and a catalogue of selected projects of Miami's 1980s architecture--some built, some unbuilt. The text and the accompanying images celebrate a period in American architecture when, in Miami, the subtropical nexus of the Americas, art and architecture were intensely interconnected, and Miami architects were partaking in the discipline's international discourse. Triggered by the case of The Babylon, Arquitectonica's first building, which after having been designated as a protected landmark in 2016 was in 2019 sadly demolished, Charlotte von Moos's research was driven by a sense of urgency about today's lack of care for such remarkable projects.
Architecture --- Architecture, Modern --- Lost architecture --- Nineteen eighties --- 72.038(73) --- Steden ; Miami --- Arquitectonica --- Noguchi, Isamu 1904-1988 (°Los Angeles, Verenigde Staten) --- I.M. Pei & Partners --- Burgee, John °1933 (°Chicago, Illinois, Verenigde Staten) --- Johnson, Philip 1906-2005 (°Cleveland, Ohio, Verenigde Staten) --- Skidmore, Owings & Merrill (SOM) --- Architectuur ; Verenigde Staten ; Miami ; 1980's --- 1980s --- 80s (Twentieth century decade) --- Eighties (Twentieth century decade) --- Twentieth century --- Architecture, Primitive --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- History --- Architectuurgeschiedenis ; 1950 - 2000 ; Verenigde Staten --- Design and construction --- Architectural photography. --- Architectural heritage, Lost --- Buildings, Lost --- Demolished architecture --- Demolished buildings --- Destroyed architecture --- Destroyed buildings --- Lost architectural heritage --- Lost buildings --- 72.036 --- Verenigde Staten van Amerika --- Miami --- Twintigste eeuw (architectuur) --- 20ste eeuw (architectuur)
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